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André Sornay · 1902 - 2000

Four bridge chairs in Zebrano

c. 1940 · Seating

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Four bridge chairs in Zebrano wood with brass nails and solid beech. The upright rectangular backrest showcases the distinctively striped grain of zebrano wood, accented along its perimeter by brass nails. The flat, straight armrests and square-section legs form an architectural structure surrounding a solid wooden seat.

Ref. « signé sornay. » p.101.

André Sornay developed his first patent in 1932: the concept of “cloutage” that evokes aeroplane rivets. This new assembly technique involved attaching veneered panels onto a structure using small nails (“clous”). The alignment of these nails became both an element of decoration and a trademark. This patent led to the manufacture of limited series of furniture that remained financially accessible.

Specifications

Dimensions
H. 93 cm x L. 51 cm x P. 49 cm H. 36.6 in × L. 20.1 in × D. 19.3 in
Materials
Beech, Zebrawood
André Sornay About the artist André Sornay Biography

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Column cabinet in solid walnut. Its upper portion incorporates four open pigeon holes. The lower section is enclosed by a solid door in Macassar ebony. The entire structure rests on a solid walnut base. Unique piece. Ref. « signé sornay. » p.224. This piece has been created before the nails patent so before 1932. The pre-cloutage production featured strongly built pieces of furniture characterized by their simple lines, constructed in accordance with traditional cabinetmaking practice. At this period most production is 'on order'.

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c. 1926 Cabinet with four pigeon holes

Walnut armchairs with geometric lines, notably characterized by solid wood sides with angular cuts. Their high and slightly inclined backrest fits dynamically into this imposing cubic structure. The deep seat, backrest, and armrest upholstery are covered in a textured light fabric. Ref. « signé sornay. » p.345. This piece has been created before the nails patent so before 1932. The pre-cloutage production featured strongly built pieces of furniture characterized by their simple lines, constructed in accordance with traditional cabinetmaking practice. At this period most production is 'on order'.

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c. 1930 Pair of ashtrays

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